Congratulations to Lucy Gaffy for taking out the award for Best Direction in an Australian Short Film for Dream Baby.
Flickerfest is one of the leading Australian competitive short film festival and increasingly filmmakers view it as one of the main festivals on the world circuit, with 1000’s of entries coming from filmmakers across the globe.
To view the full list of winners, click here.
Congratulations to Margot Wilson on her Excellence in Period Film nomination for her work on The Dressmaker at the upcoming prestigious US CDG awards.
Margot exclusively designed Kate Winslet’s memorable costumes. The winners will be announced at the awards night on February 21.
Congratulations to Andrew Knight on his BAFTA nomination for Best Adapted Screenplay – Hacksaw Ridge.
Congratulations to the Cameron’s clients nominated in the 2016 Sydney Theatre Awards!
Best Independent Production
Hurt – Kim Hardwick (Director, Producer), Ivan Donato (Actor)
Best Stage Design
Inner Voices – Anna Gardiner (Set and Costume Designer)
Best New Australian Work
Jasper Jones – Kate Mulvany (Adapter from Craig Silvey’s novel)
Broken – Shannon Murphy (Director), Ivan Donato (Actor)
Best Original Music Score – Max Lyandvert with Matteo Zingales for Episode 1 of
The Kettering Incident
Best Short Animation – Del Kathryn Barton with Brendan Fletcher and Angie Fielder for
Oscar Wilde’s The Nightingale and the Rose
Best Direction in a Television Drama or Comedy – Peter Duncan for Episode 8 of
Congratulations to all so far, good luck tomorrow night for the remaining
Gemma has spent the past two years in London undertaking further training at the highly esteemed Royal Central School of Speech and Drama. Whilst in London she produced and performed in numerous films, which are being very well received on the international film festival circuit. After much success, her most recent short film has just been screened at Monaco International Film Festival. Since graduating from QUT in 2008, Gemma has appeared in several critically acclaimed stage productions across the country. In 2010 she appeared as Ophelia in La Boite’s award winning run of ‘Hamlet’ and that same year transferred a show to the New York Fringe Festival, ‘One Thumb Out’ directed by Zoe Carides. In 2012/13, Gemma embarked on a nationwide tour of ‘Goodbye Jamie Boyd’, a one-woman show for Monkey Baa & Buzz Dance Theatre.
We’re thrilled to announce that Camerons clients Simon Ozolins ACS and Jeremy Rouse ACS won multiple VIC/Tas Gold ACS Awards for their film, TV and commercials work.
Simon Ozolins won a Gold ACS Award for his work on the Ambience Entertainment TV series Tomorrow When the War Began while Jeremy Rouse won a Gold ACS Award for his cinematography on the German feature film Jonathan.
Congratulations to Kim Hardwick for the success of The Shadow Box at The Old Fitz.
The Shadow Box is a compelling dramatic triptych, three terminal cancer patients dwell in separate cottages on a hospital’s grounds. The three are attended and visited by family and close friends: Agnes and her mother Felicity, estranged further by the latter’s dementia; Brian and Beverly, whose marital complications are exacerbated by Brian’s new lover, Mark; and Joe and Maggie, unready for the strain of Joe’s impending death and its effect on their teenage son.
For more information and how to book, click here.
“In Hardwick’s hands it is uplifting and there is a lot of warmth and humour.” – John McCallum, The Australian
A warm welcome to QUT graduates, Tom Yaxley and Bellatrix Scott.
Congratulations to Cameron’s Director, Peter Houghton, on the opening of Neil Simons’ The Odd Couple at MTC over the weekend.
The Odd Couple is a classic comedy about divorced men living together might be, perversely, the world’s funniest play about marriage. Has there ever been such a mismatch than this between the curmudgeonly slob Oscar Madison and the pernickety Felix Ungar? Can a seven-room Manhattan apartment ever be big enough for both of them?
It’s playing until November 21. For more information and how to book, click here.
“Director Peter Houghton has a firm grasp of commercial comedy … the laughs in this buddy comedy flow as freely as the action, with a current of real poignancy under all the easy-to-take fun.” – Cameron Woodhead, The Sydney Morning Herald
“Director Peter Houghton makes deft use of the stage … but most impressive is the comedy he extracts from this play that is not of Simon’s making.” – Maxim Boon, The Daily Review